Elisabeth Grace Foley

Historical Fiction Author

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Top Ten Books Read in 2020

December 29, 2020 by Elisabeth Grace Foley 16 Comments


So. What a year that was, huh? Happily, good books are one of the constants of life, and I am very thankful to have had them this year for comfort, inspiration, and yes, distraction. When it came time to put this list together I noted with some amusement how heavy it is on mystery fiction—mysteries are one of my “comfort read” genres, and I don’t think it’s a coincidence that my reading habits leaned heavily in that direction in 2020.

Per usual, I’m linking up with Top Ten Tuesday as I share my top ten books read this year—listed here in the order read:

Penny Plain by O. Douglas

It’s always hard to describe a book that you can’t pigeonhole neatly into a genre category—a book that’s simply about a family, a neighborhood, friendships, and two different love stories. It’s also sometimes hard to accurately describe a book that meant a lot to you. All I know is that this one dropped into my lap during a very difficult week of my life, and it was a lifeline. It made me cry, made me smile, made me highlight passages that jumped out at me. It’s just one of those books that seems to celebrate the beauty of life in spite of sorrow or daily cares. I don’t know if you can ever objectively rate a book after such a strong emotional attachment to it, but be that as it may, Penny Plain goes down as my favorite book of the year.


Holiday With Violence by Ellis Peters

While on holiday in Italy, a group of English young people become involved in a mystery when a fellow-traveler they’d befriended is attacked on a train. Their trip turns into a delicate game of cat-and-mouse over mountains and through the canals of Venice, with a set of criminals determined to recover something that has accidentally come into the young tourists’ possession, in a highly entertaining novel that leans more toward suspense than straight detective work.


Sweet Danger by Margery Allingham

I have a love-hate relationship with Margery Allingham’s Albert Campion series. Perhaps “hate” is too strong a word, but I’ve enjoyed a couple and been unenthused by the others—not because Allingham isn’t a good writer, but because she so often chooses to write about nasty, off-putting characters. Sweet Danger, though, is quite different: it’s also more of a romping suspense thriller than a whodunit, complete with treasure hunt, tiny fictional country, and charmingly eccentric characters—proving that Allingham can write delightful people when she so chooses! (In fact, I picked it up entirely on the strength of one character who had appeared in a later novel I read, The Fashion in Shrouds.)


Deadly Duo: Two Novellas by Margery Allingham

And what do you know, here’s Allingham again. This isn’t a series book but a pair of standalone novellas, both excellently written with vivid characters and abundant suspense (the plot of the first story, “Wanted: Someone Innocent” is particularly clever and unusual).


Crowning Heaven by Emily Hayse

This one is probably the most unlikely title to make my top ten, for the simple reason that it’s not my usual type of fiction—planetary fantasy with a contemporary protagonist traveling between worlds. I’d expected to like Hayse’s The Last Atlantean better because of its historical element, but to my surprise, Crowning Heaven surpassed it. Even though I didn’t connect as much to the imaginary world as I typically do to a real-world setting, this novel gripped and moved me chiefly because of its wonderful characters and the depth of their emotions and relationships.


The Will and the Deed by Ellis Peters

A group of travelers end up snowbound in an Austrian village over Christmas when their plane goes down in the Alps—and then a murder occurs, occasioned by an opera diva’s controversial will that they are all connected with in some way. A fine classic-style whodunit with well-drawn characters and a fun setting.


Hamlet, Revenge! by Michael Innes

This is high-concept country-house mystery! An amateur theatrical performance of Shakespeare’s Hamlet at a lavish English country estate, on a stage recreating the design of an Elizabethan theatre, turns into a murder investigation when one of the performers is shot at the very moment their character is supposed to die in the play. The play itself is twined all throughout the intricate plot, and you know all along that somehow Hamlet holds the vital clue to the culprit, though the revelation of how doesn’t come till the very end.


Dawn Like Thunder: The Barbary Wars and the Birth of the U.S. Navy by Glenn Tucker

Every so often I pick up a historical nonfiction title not for research, but just because a random historical event or era that’s outside my usual wheelhouse sounds interesting. Mentions of the Barbary Wars had been cropping up in Regency-era fiction I read and around the fringes of conversations about history, so I decided I’d like to fill in my sketchy knowledge of them. Dawn Like Thunder is a fascinating look at a young American nation building a navy and a foreign policy from scratch, daring naval battles, Napoleonic-era diplomacy, and the perilous, colorful milieu of the Barbary states that literally made their living off of Mediterranean piracy and international protection money.


The Cowboy: His Characteristics, His Equipment, and His Part in the Development of the West by Philip Ashton Rollins

I actually read a significant part of this one last year, but returned to it after a hiatus and finished it in 2020. It’s definitely one of the top nonfiction titles I’d recommend to someone writing stories set in the West or just interested in real Western history. There’s a lot of focus on the nitty-gritty details like clothing, equipment, social customs, speech, and so forth. I’ve added a physical copy to my personal library, and I’m looking forward to re-reading it and marking especially helpful passages for future reference. I haven’t written a full review, but I did share a thought-provoking excerpt with a bit of commentary on Facebook.


Mother Mason by Bess Streeter Aldrich

Bookending the list, another title that I loved for its simple warmth and wholesomeness: a book of interconnected short stories telling of happenings in the lives of an average American family, comfortable without being rich, leading citizens of a classic Midwestern small town in the early 20th century.

In a different trend from previous years, only two of these titles are in the public domain: Penny Plain and Mother Mason (the latter newly so, hence a free version doesn’t seem to be available yet). Dawn Like Thunder was a library borrow; Deadly Duo, Crowning Heaven, and Hamlet, Revenge! were Kindle Unlimited borrows; and the rest were Kindle purchases.

Previous years’ lists: 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011

Filed Under: Lists, Reading, Reviews

My Best Books of the Decade

January 17, 2020 by Elisabeth Grace Foley 1 Comment

When I saw this idea at The Captive Reader last month, I immediately knew I had to do it too: a recap of my favorite books read each year in the past decade. There are actually only nine titles here, because I find I didn’t start keeping records of what I read until 2011—but since everyone else is treating this year as the time to do best-of-the-decade roundups, I’m going ahead and doing it now.

It was an intriguing exercise, reading back over my top-ten lists for each year—seeing how my tastes have stayed the same and how they’ve changed; seeing which books are still favorites and which ones might not necessarily make my lists if I redid them now. I was almost tempted to list a runner-up for each year as well, but in several cases it would have been extremely difficult to choose just one from two or three titles, so I omitted it altogether.

I’ve reproduced here only what I wrote about each book in the original top-ten posts—the length of the paragraphs does vary wildly, since in the last couple of years I haven’t written full reviews of my top picks and so described them more thoroughly in my blog post! The linked titles go to full reviews where they exist.

2011: The Magnificent Ambersons by Booth Tarkington

What I wrote: “I was impressed by this Pulitzer Prize-winning novel of a wealthy, influential family’s gradual decline during the industrialization of America at the turn of the last century, which seems to be a somewhat overlooked classic of American literature.”

2012: The Street of Seven Stars by Mary Roberts Rinehart

What I wrote: “A Rinehart non-mystery, this beautiful novel about American students living in Vienna just before the Great War kept me up till midnight finishing it.”

2013: Nine Coaches Waiting by Mary Stewart

What I wrote: “Easily my favorite read of the year. Gorgeous writing, a stunningly evoked setting, suspense and intrigue and romance…it doesn’t get much better than this.”

2014: Thorofare by Christopher Morley

What I wrote: “A big, rich, rambling, beautiful novel, this wins my award for favorite book of the year. Told mostly from the perspective of an English boy, the nephew of a college professor who teaches in America, it traces his journey to the States and the family’s life in village, city and country on both sides of the Atlantic, exploring with pleasant humor and an incredible eye for detail the curious differences and similarities of English and American culture in the late Victorian/early Edwardian era.”

2015: Greensleeves by Eloise Jarvis McGraw

What I wrote: “If I were pressed to name my single favorite book of the year, this would have to be the one. A teenage girl trying to decide what to do with her life discovers more than she bargained for when she takes on a summer job helping to investigate the legatees of an eccentric will.”

2016: Saturday’s Child by Kathleen Thompson Norris

What I wrote: “I often have a hard time distilling into a review my thoughts on the books that make the most impression on me. That was the case with this, my favorite read of the year. It follows the fortunes of a young woman earning her living in turn-of-the-century San Francisco, her struggles to reconcile poverty and family obligations with dreams of wealth and luxury; and her attempts to find a purpose for her life when it appears that romance and marriage are not in her future.”

2017: Letters to Julia by Meredith Allady

What I wrote: “This is a sequel, and it’s definitely necessary to have read Friendship and Folly by the same author to have a knowledge of the characters; but this one found its way even deeper into my heart than the first book in the series. It’s a hefty epistolary novel set in Regency/Napoleonic-era England, told through four years’ worth of letters from a large and affectionate family and some of their friends to a married daughter living at a distance, dealing with both happy and difficult times in the lives of senders and recipients. I can understand how the style might not be for everyone, but it definitely was for me.”

2018: The Lost Art of Dress: The Women Who Once Made America Stylish by Linda Przybyszewski

What I wrote: “This is my favorite book on fashion I’ve ever read. There was a time in the earlier 20th century when American women were considered some of the best-dressed women in the world, and this book reveals why. It takes a fascinating look at a generation of designers and fashion experts who taught American women how to apply the principles of art, as found in the natural world—harmony, proportion, balance, rhythm, and emphasis—to create and choose beautiful and tasteful clothing that suited them and their lifestyles. And how to do it on a thrifty budget. What’s so neat about this book is that it’s both a fun history lesson yet also practically inspiring, as you come to realize that the principles of art can be applied to choosing tasteful and flattering clothing in any era.”

2019: The Huguenots: Their Settlements, Churches, and Industries in England and Ireland by Samuel Smiles

What I wrote: “I had a basic knowledge of who the Huguenots were and the fact of their persecution; but this book blew me away with the breadth and scope of their saga and its effect on the culture and economy of more than one nation. Smiles’ primary focus is on what the exiled Huguenots brought to England and Ireland in the way of art, trade, industry, learning, et cetera (hint: a lot), but he also grounds it in a comprehensive overview of the zero-tolerance policy pursued by the French Catholic monarchy that drove the Huguenots to flee their homeland. I came away marveling at how Americans are taught so little of what is a big part of our heritage by extension as well; and also with a much clearer understanding of how the Huguenot persecutions contributed to the conditions that led to the French Revolution.”

If you’d like to see my full top-ten lists for each year, you can find links to them all at the bottom of this year’s list.

Photo by Chris Lawton on Unsplash

Filed Under: Lists, Reading, Reviews

My Year In Books: 2019

January 8, 2020 by Elisabeth Grace Foley Leave a Comment

This year, like last, was a year of much re-reading; and as I didn’t keep track of every single re-read on Goodreads or on paper, my final number of books read in 2019 is slightly fuzzy. My record book shows the highest number of 103, so we’ll go with that. The full list of everything I logged on Goodreads is here, if you’re interested in perusing it; meanwhile, here’s some of the highlights. (Titles that made it onto my top-ten list for the year are marked with an asterisk.*)

Some of the best books that I re-read were My Friend Flicka by Mary O’Hara, The Franchise Affair by Josephine Tey, Saturday’s Child by Kathleen Thompson Norris, Letters to Julia by Meredith Allady (those two books have become some of the very closest to my heart of any I’ve ever read), The Warden and Barchester Towers by Anthony Trollope, and The Trusty Knaves by Eugene Manlove Rhodes. Among others, I also revisited National Velvet by Enid Bagnold, Eight Cousins and Rose in Bloom by Louisa May Alcott, Lady Audley’s Secret by Mary Elizabeth Braddon, and a couple of particularly dear old favorites from childhood, Heidi by Johanna Spyri and Hans Brinker: Or, the Silver Skates by Mary Mapes Dodge.

Rather surprisingly, I didn’t read too many classics aside from those I’d read before. I did read three Shakespeare plays (mostly in pursuit of quotations for chapter epigraphs, I will admit); I liked Richard II but didn’t care much for Henry IV Part I and even less for Part II. Another work that probably also falls into the category of classic was Elizabeth Barrett Browning’s long narrative poem Aurora Leigh. The story of a woman poet and her complicated relationship with her cousin, an over-zealous social reformer who is initially disparaging of her work, it was sometimes melodramatic, always page-turning, and filled with many thought-provoking passages on art and the artist’s life, particularly as relates to women artists.

Highlights of historical nonfiction included The Huguenots: Their Settlements, Churches, and Industries in England and Ireland* by Samuel Smiles, They Saddled the West* by Lee M. Rice and Glenn R. Vernam; America Moved: Booth Tarkington’s Memoirs of Time and Place, 1869-1928, a compilation of Tarkington’s autobiographical writings, and Vanished Arizona by Martha Summerhayes, a memoir by a cavalry officer’s wife who went West for the first time as a new bride in 1874 and survived some amazingly rugged conditions and hair-raising experiences in her years on the frontier. In theology, there was The Things of Earth: Treasuring God by Enjoying His Gifts by Joe Rigney and The Olivet Discourse Made Easy by Kenneth L. Gentry; in general nonfiction, Newsletter Ninja* by Tammi Labrecque and Keep Going by Austin Kleon.

Western-wise, I finally read True Grit by Charles Portis, and…well, I liked it and I didn’t like it. It was clever, had a unique style, but my interest in it kind of flagged by the end. Maybe just a little too grim for my tastes. Meanwhile, Stepsons of Light* by Eugene Manlove Rhodes was entirely delightful—and going by my own criteria, I would call The Whistling Season* by Ivan Doig a Western, too, from its pre-WWI Montana setting.

Many, many mysteries read this year! I’ll just name a few of the standouts. A Nice Derangement of Epitaphs, The Piper On the Mountain* (from the Felse Investigations series), and Death Mask (non-series) by Ellis Peters; The Nine Tailors by Dorothy Sayers; The Religious Body and Parting Breath (from the Calleshire Chronicles series) by Catherine Aird. Pecos Valley Diamond by Alice Duncan was a pretty cute and entertaining whodunit with a unique setting in 1920s New Mexico; The Right Sort of Man by Alison Montclair I liked in some ways and didn’t like in others; and I had kind of a soft spot for The Red Carnelian by Phyllis A. Whitney because of its stylish 1940s Chicago setting, even though it got rather overwrought in places as Whitney’s books all tend to do. I also read two more mysteries by Geraldine Bonner, The Black Eagle Mystery and Miss Maitland, Private Secretary, which were both follow-ups to the entertaining The Girl At Central which I enjoyed last year—both were pretty good, though I still like the first book best.

Having read all of Mary Stewart’s romantic-suspense novels, I’ve been filling in around the edges with a few of her lesser-known or formerly out-of-print titles. Neither Stormy Petrel nor Rose Cottage is quite up to the level of her other books, but as other reviewers have remarked, even lesser Stewart is still pretty good. It was also enjoyable to get some of her thoughts on the creative process with what I’m fairly sure must be a bit of self-portrait in her portrayal of the writer narrator to Stormy Petrel. I also read two other short works published in one ebook, The Wind Off the Small Isles and The Lost One, and the latter was my very favorite of these “odds and ends”—a compact delight of a short story very firmly in Stewart’s classic suspense mold.

I also read a couple more children’s books just ’cause I wanted to: The Four-Story Mistake by Elizabeth Enright was just as charming as the previous Enright books I’ve read; and The Penderwicks by Jeanne Birdsall surprised me by actually turning out to have been written in 2005—somehow I’d gotten the idea it was an older children’s classic. In many ways it was quite a worthy modern successor to books such as Enright’s, though different in some ways.

Worst book of the year? I’m afraid there were a handful that I could roast if I had the time and inclination for that sort of thing, but it’s a close race between The Alington Inheritance by Patricia Wentworth and Out of the Depths by Robert Ames Bennet—though I think Wentworth wins the dubious honor by a nose. I was also oddly aggravated by Dick Francis’ Rat Race, which had so much going for it in some respects but disappointed me so much in others that I couldn’t even decide on an accurate star rating.

(Oh, wait a minute, I just remembered. Waiting for Willa by Dorothy Eden was so bad I didn’t log it on Goodreads or my record book. Only the fact that as a library book it was someone else’s property preserved it from being shied across the room.)

Partly because of doing market research, and partly just by happenstance, I read rather more recently-published historical fiction than I’ve been wont to do—and while I didn’t like all of them, a couple surprised me by ending up among my favorites of the year: Girl Waits With Gun* by Amy Stewart and A Desperate Fortune* by Susanna Kearsley.

My “Christmas read” for this year also turned out to be perhaps the biggest surprise of the year: The Enchanted Sonata* by Heather Dixon Wallwork, a delightful fairytale-ish retelling of the Nutcracker. And to round things off, novels and short fiction in various genres: Children of the Desolate* by Suzannah Rowntree, The Main Chance by Meredith Nicholson, Fidelity by Wendell Berry, Arabella by Georgette Heyer, and The Comings of Cousin Ann by Emma Speed Sampson.

Previous years’ reading roundups: 2018, 2017, 2016, 2015, 2014, 2013, 2012.

image: Sofia Iivarinen // Pixabay

Filed Under: Reading, Reviews

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