Elisabeth Grace Foley

Historical Fiction Author

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Summer Reading 2024

June 9, 2024 by Elisabeth Grace Foley 4 Comments

I feel like I don’t know when exactly I made a summer reading list this year—perhaps because I’ve been so busy this spring—but it went through all the usual stages: a few titles jotted down early in the year; a little dithering and head-scratching trying to think of more to bring it up to the usual number; seeming rather cobbled-together for a while but taking on a sort of shape when I put the finishing touches on it for this post. It started out a little more weighted towards nonfiction, but ended up being a roughly even split—and as far as subject matter goes, there seems to be two distinct trends here, if you see what I mean:

A Pastoral Song by James Rebanks
Cimarron by Edna Ferber
Rhododendron Pie by Margery Sharp
Country Editor’s Boy by Hal Borland
Song of Years by Bess Streeter Aldrich
The Husband Hunters by Anne de Courcy
Our Man in Havana by Grahame Greene
False Colours by Georgette Heyer
The Provincial Lady in War-Time by E.M. Delafield
The Wire-Cutters by Mollie Evelyn Moore Davis
Cowboys and Cattle Kings by C.L. Sonnichsen*
Sussex, Kent, and Surrey 1939 by Richard Wyndham
Jane Austen and the Navy by B.C. Southam**

*I started this one earlier in the year and got sidetracked, but I am eager to finish it.

**If I can find an affordable copy…of course I would be the one to add a random title to my list because I thought it looked interesting, and then find it’s out of print and even paperback copies are ridiculously expensive…

what’s on your summer reading list?

image: “A Walk by the River” by Alfred Augustus Glendening Jr.

Filed Under: Lists, Reading

Five Things I Learned In the Greenhouse

April 30, 2024 by Elisabeth Grace Foley 8 Comments

If you’ve read this blog for a while you may remember that for a couple of recent years I worked at a local farm-and-garden-center. During that stint I wrote a blog post on a handful of humorous and thoughtful reflections sparked by the autumn end of the business. As spring comes on this year, and I make plans for my own garden, I’ve found myself reflecting on some things I noticed or learned during the spring seasons of that job.

– 1 –

I love flowers. I mean I really love flowers. I used to be under the impression that I just liked them moderately, but handling them and tending them every day just exploded a sheer sense of delight in the colors, the delicacy, the vibrancy, the shape and form and scent of leaves and blossoms, and a fascination with learning about the different varieties and how to grow them. I found a whole new creative outlet in choosing and arranging flowers for pots and window boxes. My favorite experiences were getting to put together some custom-ordered pots on my own, and helping people who would come in with a vague idea of what they wanted and say, “I’d like these colors, and about this height, and they need to be good with partial shade—what do you suggest?” This year my goal for my own flowers is to design some large deer-resistant pots in a particular color scheme, and as I make my lists of plants and plan how to arrange them in the pots, it’s pretty neat to realize how much knowledge I picked up on the job and how I can now put it to use as I need it.

– 2 –

There is no official limit to the number of times you can hit your head on the same hanging plant in one day. Yes, I know this from experience.

– 3 –

Pruning is not such a delicate task as I’d always thought. Before the greenhouses opened in the spring, we would trim back vining and creeping plants to keep them from sprawling too far out of their pots before opening day, and it amazed me how ruthlessly you can cut back plants like wave petunias, verbena, and even rosebushes in the early stages and then see them redouble and triple in size again. (It’s also, I must admit, easier to get comfortable with pruning when doing it on a large scale, and with someone else’s plants, instead of one small plant of your own where you’re nervous that one wrong snip will ruin it for the year!)

– 4 –

In sales, visibility is king. As an entrepreneur who has to grapple with marketing for my own books, this was interesting to notice. In a greenhouse with four rows of tables running lengthwise (meaning three aisles for customers to walk), the plants on the two middle tables (on either side of the main aisle) always seemed to sell fastest. Of course, it helped that many of the most popular flowers, like petunias, impatiens, and begonias, were originally on display there—but as the season went on and space opened up on those middle tables, other things were shifted into that space, and often a plant that had hardly sold at all suddenly started going like hotcakes once it was in that more visible position. Similarly, when a few plants of a type that didn’t sell very much were brought outside and displayed where customers’ eyes fell on them as they arrived, you’d often see an increase in people buying them. You can’t sell something if people don’t know it exists—and not everyone is there to go hunting in every corner.

The implications for indie book sales are interesting. It’s true, the internet gives us the ability to sell a product to a customer anywhere in the world, but in actual fact, there are far fewer book buyers who go hunting for just the perfect book than there are book buyers who buy because a book is in an easily visible position—e.g. on a bestseller list, a deal-of-the-day promotion, et cetera—caught their eye, like a dahlia or a geranium displayed right at the entrance to the greenhouse. It’s an interesting subject to ponder for entrepreneurs selling through a middleman, where we aren’t the ones in charge of which flowers get placed on the middle tables, so to speak. How can we best seek situations where we are?

– 5 –

The American home gardening industry is largely based on consumerism and disposability.

Now, don’t get me wrong. I think it’s a great thing for people to enjoy planting flowers around their home, and I wouldn’t dream of discouraging it. But think about it for a minute. The vast majority of flowers bought at garden centers are annuals, which at the end of every season are pulled out and thrown away—meaning avid gardeners are spending hundreds and even thousands a year on new flowers. What’s more, all these plants are started in plastic trays and transplanted into plastic pots—thousands and thousands of plastic containers which will ultimately end up thrown away. Even though smaller businesses re-use containers to save expenses, sooner or later they end up brittle and broken and on their way to a landfill. I’m not suggesting we forswear annual plants, but when you compare the overwhelming disposability of American gardening in general with, say, a traditional English garden where perennials and shrubs form the backbone and annuals are finishing touches—it’s worth considering the ultimate costs.

Filed Under: Life in general, Lists

Top Five Movies (and TV) Watched in 2023

January 8, 2024 by Elisabeth Grace Foley 2 Comments

The Pirates of Penzance (1983)

The Pirates of Penzance (1983)

I had read the libretto to the Gilbert and Sullivan operetta before and thought it amusing, but it turns out that seeing it performed is another level of hilarity altogether. I’m not sure I’ve ever seen something so utterly un-self-consciously cheesy and goofy—it’s like everybody involved said “we are going to play this Victorian-era satire with a completely straight face and endless pratfalls and not care who laughs at us,” and the result is great fun.

Note, there is a live filming of the Broadway production from just a couple years before, with mostly the same principal cast, on YouTube, and though some of the choreography and singing is a touch more polished in the movie, I actually found the stage version to have even more charm in spite of the low film quality! (The comic timing in the scene following “My Eyes Are Fully Open” is simply screamingly funny.) It also has the advantage of not cutting “How Beautifully Blue the Sky” and verses from several other major songs (plus the Major-General’s speech about his ancestors at the beginning of Act II, which I can’t understand leaving out of the movie).

Out of the Past (1947)

Out of the Past (1947)

I couldn’t make a steady diet of genuine film noir, but I had often seen references to this one as a classic of the genre and was curious to see it, and it fully lived up to expectation. The quintessential noir plot of a man unable to escape his past, of one bad decision pulling the protagonist into an ever-downward spiral of frame-ups and blackmail, it’s gorgeously shot, and keeps you engrossed with wondering just how many more twists and double-crosses can be fit into one story. (Without giving any spoilers, I’m honestly surprised Jane Greer’s performance didn’t rate some kind of award nomination.)

A Few Good Men (1992)

A Few Good Men (1992)*

CAVEAT: I watched this movie with its (plentiful) strong language aired out and one brief scene skipped. In that state, I found it a really fine, absorbing courtroom drama with good character development and fine performances. (I couldn’t help reflecting that, with the omissions for content I mentioned, you could have shot the same exact script in the 1950s and come up with an equally powerful film. And really, the same could have been done in 1992 if the filmmakers so chose.)

Bleak House (2005)

Bleak House (2005)

A solid, entertaining adaptation of what I’ve come to believe is one of Dickens’ finest novels (a lengthy miniseries is definitely the format to go with when adapting a book of this size). Its one chief drawback is a very distracting filming style, with a lot of abrupt cuts and zooms and ‘sinister’ sound effects. I re-read the novel after watching it, and was able to appreciate way Andrew Davies’ screenplay nips and tucks a hugely sprawling plot into a sufficiently streamlined narrative while remaining essentially faithful; though there are necessarily depths to the book which don’t translate to the screen. Like a lot of Dickens adaptations, especially recent ones, it does focus in more on the darker elements and sideline the comedic a bit (and one doesn’t always get the sense of how a few subplots, for instance the Jellyby/Turveydrop scenes, are connected with the main body of the story). The central performances are all excellent, though—and Mr. Guppy steals the show; probably the most Dickensian personality in it.

The Magic of Ordinary Days (2005)

The Magic of Ordinary Days (2005)

I finally got around to seeing this, and found it really lovely and enjoyable. A simple story set on the World War II home front, about an educated young woman who enters a marriage of convenience with a quiet, considerate young farmer to avoid the scandal of an unwed pregnancy, it’s homey and heartfelt and incidentally chock-full of the loveliest 1940s costumes you’ve ever seen (check out this post from Heidi at Along the Brandywine if you want to feast your eyes on all the screencaps).

Honorable mention for best re-watch: All About Eve (1950)

Runners-up:  The Solid Gold Cadillac (1956), Northanger Abbey (2007)*, Evelyn (2002)*

Previous top-5 lists: 2022, 2021, 2020. (You can see top-ten lists for earlier years, plus everything else I watched during the year if you’re interested, at my Letterboxd profile.)

* watched a version edited for content

Filed Under: Film and TV, Lists

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