Elisabeth Grace Foley

Historical Fiction Author

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Favorite TV Episode Blogathon: Stagecoach West, “The Remounts”

March 19, 2021 by Elisabeth Grace Foley 7 Comments

Stagecoach West was a lesser-known Western show that ran for only one season, 1960-1961. It centered around a stage line run by Simon Kane (Robert Bray), with his adolescent son Davey (Richard Eyer) and sidekick Luke Perry (Wayne Rogers) along for the ride. (Not sure I’ve ever heard of an entire stage line operated by just a couple of people who did all the driving themselves, but that’s not what we’re here to talk about today.) I’ve only seen a few episodes so far, but have found them all enjoyable. With an interesting premise, likable series regulars, and a typically solid guest cast booking passage on the stagecoach each week, it’s a bit surprising the show didn’t last longer. Perhaps the series leads didn’t have enough star power, or perhaps the pleasantly understated characters they played didn’t have the swagger to compete with other, flashier TV Western headliners.

“The Remounts,” the show’s twenty-third episode, opens with a couple of young cowboys, Clete Henry (James Beck) and Hutch Barnett (Don Burnett) driving a herd of horses down from the hills to sell them to the U.S. Army. A couple of the temporary drovers they’ve hired (James Griffith and Mort Mills) make an attempt at stealing the herd, but Clete and Hutch manage to foil their attempt and kick them out. The foiled badmen promptly join forces with another pair of outlaws even more vicious (Richard Devon and Chris Alcaide), and find another way to profit off the horses—ambushing the Army horse buyers at a nearby stage station and stealing the price of the herd. Not content with that, they decide to have another go at stealing the horses and re-selling them for even more money. [Read more…]

Filed Under: Blog Events, Film and TV, Reviews, Westerns

My Year In Books: 2020

January 8, 2021 by Elisabeth Grace Foley Leave a Comment

My total number of books read was slightly lower this year than my usual average—according to my record book it was 82, and Goodreads puts it even lower because I didn’t bother to log every single re-read there. Though I suppose I theoretically had more time to read, I very often found it hard to focus, which may also account for the high number of re-reads in this year’s total: about 18.

For the past few years I’ve included the titles that made my top-ten list in my yearly roundup, but this year, I frankly have just enough energy to produce a roundup post at all, so I’m going to keep it fairly short and sweet. My top-ten list is here. If you’re interested in the full list of books I logged on Goodreads, you can see it here; meanwhile as usual, I’ll hit the main highlights in this post.

Because there were so many re-reads, and most of them have appeared in previous years’ roundup or top-ten posts, I won’t go over them exhaustively, but I must mention a couple standouts that I revisited for the first time in years: Wives and Daughters by Elizabeth Gaskell moved even higher in my estimation on this re-read and cemented a place among my favorite classics; and The Code of the Woosters by P.G. Wodehouse was so much funnier than I remembered.

New-to-me classics were represented by a couple of plays that I greatly enjoyed: Much Ado About Nothing made Beatrice and Benedick my favorite Shakespeare characters; and Wilhelm Tell by Friedrich von Schiller was surprisingly fun and interesting. (The biggest surprise was probably that the famous apple scene was not the end of the story, as I’d always assumed.) The Man Who Was Thursday by G.K. Chesterton was…well, I’m not sure what it was. It began as brilliant and ended as bewildering, and I think I’ll have to read it again sometime to try and figure out exactly what G.K. was trying to say (if he knew himself).

My nonfiction reading was mostly history, as usual. I read a couple of interesting biographies—Amazing Grace: William Wilberforce and the Heroic Campaign to End Slavery by Eric Metaxas, and Crown of Blood: The Deadly Inheritance of Lady Jane Grey by Nicola Tallis. Shotguns and Stagecoaches: The Brave Men Who Rode For Wells Fargo in the Wild West by John Boessenecker and A Cowboy Detective by Charles A. Siringo (okay, okay, Charlie’s subtitle is too long to inflict on you here even in comparison to the rest) carry us over into…

…westerns! The Proud Sheriff by Eugene Manlove Rhodes, Amelia Rankin by Charles O. Locke, Van Patten by B.M. Bower, and A Trooper Galahad by Charles King were all moderately enjoyable. I also read Luke Short for the first time this year and was rather surprised both with the quality of the writing and the historical grounding of the plots. They’re pretty hard-bitten and action-centered, but depend far less on the face-down gun duel than, for instance, does L’Amour. Where the Wind Blows Free and The Whip were the standouts of the few I read.

Mysteries, as I mentioned in my top-ten post, formed a major part of my reading this year. Aside from the ones that made the top-ten list, these were some of the highlights: Dead Man’s Quarry by Ianthe Jerrold, Henrietta Who? by Catherine Aird, S.S. Murder by Q. Patrick, Traitor’s Purse by Margery Allingham. Touch and Go by Patricia Wentworth was fun mystery-suspense, though with a rather fizzly ending; Vultures in the Sky by Todd Downing was a very well-crafted train mystery set in 1930s Mexico, but somewhat more grim and almost morbid than I was in the mood for when I read it.

(While we’re on the subject of mysteries, I have to say that Hide in the Dark by Frances Noyes Hart was probably the biggest disappointment of the year. It has some competition from The Golden Unicorn by Phyllis A. Whitney, but Hart’s was probably worse because I had higher hopes for it!)

One book I meant to review, but never did, was The Burning Chambers by Kate Mosse, a historical novel set during the Huguenot persecutions in 16th-century France. I was excited to read it because I feel like this is a fascinating and under-utilized period for historical fiction; and it was indeed very well-written and vivid in its evocation of the setting. However, the threads of the plot involving the book’s villains featured way more violence and sexual content than I care for (verging on the downright bizarre by the end). Also, while the depiction of Huguenot beliefs was decently accurate, the book of course focuses far more on the political than theological conflict, and can’t quite escape the lack of basic understanding that one always finds in depictions of Christianity by secular writers. So I finished it with mixed feelings.

And finally, miscellaneously, Bewildering Cares by Winifred Peck, Olivia in India by O. Douglas, Half Portions by Edna Ferber, and The Blue Envelope by Sophie Kerr.

Previous years’ reading roundups: 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012.

photo credit: Ylanite Koppens / Pixabay

Filed Under: Reading, Reviews

Top 5 Movies (and TV) Watched in 2020

January 4, 2021 by Elisabeth Grace Foley 1 Comment

I used to do top-ten movie lists every year as well as books, but fell out of the habit because I wasn’t watching enough new-to-me stuff each year to do a favorites list of any length. This year, however…well, we watched rather more TV than usual. So I have a list! I’m including TV as well as movies, because a good deal of what we watched was made-for-television in some form.

The Man From Snowy River (1982)

How in the world did it take me so long to see this movie? Still, it was nice to have something so good to discover at this point in time. I can’t remember the last time a movie impressed and moved me as much as this one. Just…wow. Great story, unbelievable scenery, beautiful music, the most incredible horsemanship I’ve ever seen on film…big thumbs-up.

Jeeves and Wooster, Seasons 1-2 (1990-91)

Bless you, Bertie and Co., for all the moments of hearty laughter you gave my family this year. I started watching the series when sick in bed way back in February, and then managed to coax the rest of the family into trying it when we were looking for something to watch later on during the summer—and once fairly into it, everybody loved it. (The scene at the Junior Ganymedes Club in the first episode of Season 2 had us practically rolling on the floor.)

I was initially slightly skeptical that any screen version could do justice to the books, but after a couple of episodes I was completely won over. There are still some finer shades of hilarity that don’t translate to the screen, but I don’t think anybody could manage a finer onscreen portrayal than this series does. Seasons 1 and 2 are definitely the best—we did watch most of Season 3, but it just wasn’t as strong or funny as the earlier ones (the Deverill Hall episode was the only real standout).

A Murder Is Announced (1985)

We watched through most of the made-for-television Marple adaptations starring Joan Hickson as Miss Marple this year, and the three-part A Murder is Announced is definitely the pick of the lot. Near-perfect adaptation, great casting and performances, and I think a slightly brisker pace than some of the others in this series (and of course you’ve got to love the period costumes and English village scenery!).

Boots Malone (1952)

A lesser-known but entertaining horse-racing movie in which a cynical and slightly shifty jockey’s agent gets mixed up with a runaway boy who wants to become a jockey. A fun story, different from the usual racing movie in that it doesn’t focus on a star horse, but on the crowd of stable hands, exercise riders, and other hangers-on behind the scenes at the track.

Blood on the Moon (1948)

A solid Western, with some nicely conflicting character motivation and an unusually authentic look and feel, particularly when it comes to the men’s costumes. I’ve read that director Robert Wise studied period photographs for authenticity, and I believe it—see how they compare to Charles M. Russell illustrations, for example. (We will be charitable and not discuss the authenticity of the ladies’ costumes.) It’s based on a novel by Luke Short, and as I had read a couple of his books shortly before watching it, I was impressed by how the movie actually reflected the style of the author: a pretty rare quality in Hollywood Westerns.

Honorable Mentions: The Lady Vanishes (2013), Seabiscuit* (2003), Phar Lap (1983), Sleeping Murder (1987)

(*watched a version slightly edited for content)

I unpublished all my previous years’ movie lists during a spate of blog housekeeping, partly because the formatting of images and such got rather messed up when transferred from my old blog. I may restore them in a simplified form at some point; I don’t know yet—but if you’d like to see just the lists without commentary, they’re here on Letterboxd.

Filed Under: Film and TV, Lists, Reviews

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