Elisabeth Grace Foley

Historical Fiction Author

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Top 5 Movies (and TV) Watched in 2021

January 3, 2022 by Elisabeth Grace Foley 2 Comments

As I did in 2020, I’ve picked a top five out of things watched this year, and included TV as well as film. I find making a more compact list like this, as opposed to the top-tens I used to do, suits the amount of film I watch in a year these days. There’s a noticeable slant toward comedy this year—2021 was definitely a year where we approached movie nights with the feeling of needing a laugh.

Laughter in Paradise (1954)

Laughter in Paradise (1951)

An eccentric millionaire known for his elaborate practical jokes dies and leaves his fortune divided among four relatives…but with extraordinary conditions attached before they can claim their inheritance. Each one is given a ridiculous task to perform, which is slyly aimed at their biggest flaw or weakness, and hilarity ensues as they try to carry them out. Every one of the four storylines is funny, but unsurprisingly it’s Alastair Sim who steals the film, as a retired naval officer who secretly writes pulp thrillers under an array of pen names, whose “task” is to get arrested—his woes and antics as he blunders around London attempting to commit a “very gentlemanly sort of crime” are priceless. I also liked John Laurie as a peppery hypochondriac who hires a detective to find out why his new maid (another one of the legatees) is behaving so strangely.

Poirot

Poirot, Seasons 1-6 (1989-1996)

I was a little skeptical going into this series, and it does go through a few slightly lackluster episodes in the first season before finding its feet, but by the end of the much stronger second season I was completely won over. Adaptations from Christie’s stories over the first six seasons range from okay to excellent; David Suchet brings Hercule Poirot to life in absolutely inimitable fashion, and his chemistry with the also excellent recurring characters of Captain Hastings, Inspector Japp, and Miss Lemon is wonderful; the vintage fashions and cars and English scenery are a delight to look at. Only a few minor skips for content were necessary, which was nice (I believe we only omitted about two episodes in total for content reasons).

The Million Pound Note (1954)

The Million Pound Note (1954)

This was a movie that I had absolutely never heard of, but turned out to be charming. Henry Adams, an out-of-work American in London, is given a loan by two eccentric elderly brothers who have made a bet on the result—a loan of a banknote worth one million pounds. Everyone who sees it assumes that Adams himself must be an eccentric millionaire, and all fall over each other offering him accommodations, meals, clothes, and all sorts of luxuries on credit. His good fortune comes with complications, however, as he mixes in high society and falls in love. Lovely color filming, amusing scenarios, and loads of familiar British character actors doing their bit (watch for a young Joan Hickson, a.k.a. Miss Marple, as a restaurant proprietress!) made this great fun.

The Good Fairy

The Good Fairy (1935)

In a plot that’s too hilariously absurd to try and summarize, a naive, slightly ditzy orphan girl who wants to “be a good fairy” to someone in need persuades a wealthy man who is trying to pursue her to make the fortune of a struggling lawyer…by pretending she’s the lawyer’s wife. Unsurprisingly, wild complications ensue. This is another one that made me laugh to tears!

Sarah, Plain and Tall (1991)

Sarah, Plain and Tall (1991)

This adaptation turns a very simple children’s book, about a widowed prairie farmer’s family and the strong-willed woman from Maine who comes west to visit and possibly become his mail-order bride, into a moving family drama. Really lovely and well-done.

Runners-up: The Man in the White Suit (1951), The Holly and the Ivy (1952), The Moving Finger (1985), At Bertram’s Hotel (1987), David Copperfield (1999), Little Women (1994).

Filed Under: Film and TV, Lists, Reviews

Top Ten Books Read in 2021

December 28, 2021 by Elisabeth Grace Foley 8 Comments

Top Ten Tuesday

This year marks the tenth anniversary of the first time I created a list of top ten books read in a year to share on my blog. It’s been one of my favorite posts to put together each year, and I hope you enjoy reading them! Also according to custom, I’m linking up with Top Ten Tuesday, hosted by That Artsy Reader Girl.

Every year’s list is a bit different, but they usually have a few things in common: they’re typically a hodgepodge of different genres, but frequently see the mystery genre well represented. This year’s list, as you will see, checks both of those boxes! Here are my picks for 2021, in the order they were read over the year:

Gaudy Night by Dorothy Sayers book cover

Gaudy Night by Dorothy Sayers

I’d heard Gaudy Night highly praised long before I read it, and it absolutely lived up to its reputation. I’d inadvertently read spoilers for it in Sayers’ The Mind of the Maker years ago, and so I put off reading it for a while in the hope that I might forget the culprit’s name. I didn’t. But I think knowing the basic solution to the mystery may have actually allowed me to be more tuned in to the character development and philosophical themes of the book as I read. Gaudy Night is perhaps even more remarkable as a deep, meditative novel, full of thought-provoking ideas and discussions, than it is simply as a mystery. I feel like it’s a book I will come back to and take away new thoughts on future readings (it would make a terrific choice for a book club discussion).

The Icarus Aftermath by Arielle M. Bailey book cover

The Icarus Aftermath by Arielle M. Bailey

If Greek mythology retold as space opera sounds like your cup of tea, you’ll probably love this book. I loved it even though sci-fi is typically something I only read occasionally for a bit of novelty, and even then it tends to be only if I know the author! But though the setting itself is fun, it’s the amazing characters and the depth and vividness of their emotions that are the shining star of the book and the chief reason it gripped me so much. Read my full review here.

Over the Hills and Far Away by Matthew Dennison book cover

Over the Hills and Far Away: The Life of Beatrix Potter by Matthew Dennison

The movie Miss Potter has been a favorite of mine for several years, and probably owing to that, I picked up this biography of Beatrix Potter rather on impulse and found it absorbing. It was interesting to read about the development of her creative work, but the aspect of her life that I found particularly moving was how she gradually overcame the frustration and unhappiness of her isolated, over-sheltered earlier years (her controlling parents seemed to treat her as if she was still a child far into adulthood) and learned to be her own person and shape the course of her own life. So much of her best creative work and her most fulfilling years happened long after what we consider youth. Yet I didn’t receive the impression from this biography of someone “radical” or “rebellious;” just of one woman learning to set boundaries and make the best use of circumstances in her life that she could control.

Dude Ranching by Lawrence R. Borne book cover

Dude Ranching: A Complete History by Lawrence R. Borne

This is the super-nerdy entry on my list (there’s usually at least one). I read this for research but found it utterly fascinating. Borne covers every aspect of dude ranching from its origins (further back than you’d think!), the skills and supplies necessary to run a successful dude ranch, how the advent of the automobile and changing concepts of vacationing and entertainment affected the industry in the post-WWII era, and inevitably, how government regulations and changes to the way the national parks were managed in the later 20th century resulted in many dude ranches being forced to close. It’s an intriguing look at how dude ranching was a surprisingly integral part of the Western economy, especially in the decades after the open-range era, and if you’re interested in the subject this is definitely the book to read.

The Diary of a Dude Wrangler by Maxwell Struthers Burt book cover

The Diary of a Dude Wrangler by Struthers Burt

This was intended for research too, and I think it was the first time I had to stop and order my own copy of a book before I had even finished reading the library copy. In this beautifully-written memoir, Eastern-born Struthers Burt recounts how he fell in love with the West on visits there as a young man, settled in Wyoming and co-founded a successful dude ranch. It’s filled with colorful anecdotes of ranch guests and native Westerners and animals both wild and domestic, and interspersed with Burt’s musings on topics ranging from hunting and land management to the character and legacy of the West in general. Favorite read of the year.

The Land of Strong Men by A.M. Chisholm

I really enjoyed this Western novel, which, rather surprisingly for something written as late as 1919, feels like it bridges the stylistic transition from the Victorian to Edwardian eras in fiction. The story includes several things I love to see done well: family relationships, especially a conflict-laced relationship between brothers; and that rarest of all plot elements, a romance where the characters actually get married a good ways before the end of the book and finish out the rest of the story as husband and wife! And as applies to Westerns in particular—I really like that while the plot does involve crimes that need to be solved and punished, there is a strong focus on the fact that the ranch-dwelling characters actually spend most of their time working instead of chasing each other around with six-shooters. When the showdown ultimately comes, it realistically reflects the slower pace and strategizing that characterized a pursuit or fight in this type of mountainous terrain. Fire, weather, and wildlife all play well-integrated roles in the story, and a lot of little details ring true.

Unexpected Night by Elizabeth Daly book cover

Unexpected Night by Elizabeth Daly

I read about halfway through Elizabeth Daly’s Henry Gamadge series this year, and Unexpected Night, the series opener, is still my favorite in terms of plot, though all of them have been enjoyable. There’s a lot to like about the series: it’s set in 1940s New York City and New England and gives you an authentic feel for the time and place that you really only get from books written at that time, and the protagonist being a rare books and handwriting expert, the stories are full of bookish references and often turn on subtle literary or poetic clues. Unexpected Night is set at a Maine summer resort, and involves the apparently accidental death of the young heir to a fortune just hours or moments from his coming of age and coming into his inheritance. Gamadge, a likable, unassuming character, somehow gets drawn into investigating among the residents of a hotel, nearby cottages, and a summer theater held in an old barn on the seashore, in a plot full of clever twists and pleasant humor alongside the suspense.

One Corpse Too Many by Ellis Peters book cover

One Corpse Too Many by Ellis Peters

I’d read the first in Peters’ Brother Cadfael series, A Morbid Taste For Bones, earlier in the year and liked it just adequately—but this second book was brilliant. A masterly blend of historical events with murder mystery, wonderful characters, and absorbing suspense. Without spoilers, Peters does a fantastic job of what looks like setting you up to believe one thing, then doing a complete reversal that ends up making total sense. I loved it.

Operation Lionhearted by Maribeth Barber book cover

Operation Lionhearted by Maribeth Barber

Yes, you’re seeing that right: two sci-fi novels on my top-ten list in one year! Operation Lionhearted is a different flavor from The Icarus Aftermath but excellent in its own way: a mature-but-clean story with themes of family, friendship, overcoming fear and living bravely, and an intricate plot with lots of political intrigue and just enough action. The central characters have a forthright, uplifting decency and goodness about them, while still being very much human beings with struggles and imperfections, that I think is a rare and refreshing quality to find in fiction. And as just an occasional sci-fi reader, I have to say this is one of the first books I’ve read where the worldbuilding really made sense to me, instead of just conveying an impression of a big vague galaxy out there beyond the immediate scene of the story.

Arrow Pointing Nowhere by Elizabeth Daly

Without spoilers, Arrow Pointing Nowhere has to have one of the most unique, high-concept mystery plots I’ve ever read. I had a correct-ish hunch about just one point, but everything else was satisfyingly complex and baffling. Another thing I like about this series is that it makes excellent use of recurring characters. Gamadge collects a nice circle of assistants and sidekicks who reappear throughout the series to help detect (he even gets married eventually and has his wife join the team, which so few authors ever successfully pull off!), and one of my favorite bits of Arrow Pointing Nowhere is a great sequence featuring his outwardly gloomy but endearingly loyal and chivalrous young assistant, Harold.

* * *

Of this year’s list, only The Land of Strong Men is in the public domain (free on Kindle). One Corpse Too Many was a digital library borrow; Gaudy Night and Over the Hills and Far Away were conventional library borrows, while Dude Ranching and The Diary of a Dude Wrangler not surprisingly required an inter-library loan. The rest were Kindle purchases (excepting Operation Lionhearted, which I had the pleasure of formatting for publication and so was able to read an advance copy).

Previous years’ lists: 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011

Filed Under: Lists, Reviews

Ranking all the “Miss Marple” adaptations starring Joan Hickson

May 21, 2021 by Elisabeth Grace Foley 2 Comments

Up until last year, I’d only seen two of the dozen British TV movies and miniseries starring Joan Hickson as Miss Jane Marple. As a matter of fact I hadn’t realized there were that many. But last summer I picked The Murder at the Vicarage for a family movie night on a whim, and since then we’ve ended up working our way through all twelve. Now that I’ve seen them all, I thought it would be fun to do a ranking of them in the order of my favorites. As you can see, I’ve ranked them based on my overall enjoyment rather than strictly on their accuracy to source material, although I have to say that none of these films do any real violence to the original storylines.

A Murder is Announced (1985)
By far my favorite of the lot—a wonderful three-part adaptation that does full justice to one of my favorite Marple books, with excellent casting and performances. I don’t think I really have any bones to pick at all with this one, which is a rare thing when I watch a classic mystery adaptation.

The Moving Finger (1985)
This one surprised me, because it was one of my less favorite books! On film, though, I liked it a lot. The classic village setting where Miss Marple is so much at home, and a straightforward but clever plot involving anonymous letters and murder, all very well done.

The Murder at the Vicarage (1986)
I liked this one just moderately the first time I saw it, but found I warmed to it more on watching it a second time. I think it’s largely because of things like the charm of St. Mary Mead on film, the likeable characters of the vicar and his wife, and the particularly entertaining scenes of interplay between Miss Marple and her quasi-nemesis, the uptight Inspector Slack. All the key elements of the book are there, though I was a bit sorry they dropped a couple of small subplots that added texture to the story.

They Do it With Mirrors (1991)
Much, much better than the dreadful 1985 version. The casting is excellent in this one, and it has all the atmosphere of English stately-home-and-countryside that the other lacked. My one criticism would be that a few key clues are not really emphasized enough—they are present in the scenes where they belong, but are never touched upon in the eventual explanation, so if you hadn’t read the book you might easily overlook their significance. However, I enjoyed the overall effect enough that I didn’t mind this too much. (The shoehorning in of a bizarre modernist ballet sequence seems rather pointless, but doesn’t affect the plot).

Sleeping Murder (1987)
An almost faultless adaptation! It even comes across with slightly more color and personality than the book, which was a little vague and neutral when it came to setting. The only mildly annoying change was moving the climactic scene from daytime to night to try and wring a little extra suspense out of it, which has the unintentional side-effect of making the heroine’s behavior look rather idiotic. All else is perfectly on-point, however.

At Bertram’s Hotel (1987)
I actually think the film format does some favors to the later novels, which were a little rambling: the script is able to focus on the essential elements and streamline them into a good order. The adaptation of this one is pretty much flawless (and I loved the character of the cheerful police inspector who sings snatches of Gilbert and Sullivan to himself on the job). The only minor misstep is the casting of an actress with a very weak and husky voice as Lady Selina, since there is so much information important to the plot scattered through her gossiping conversations early in the film.

4.50 From Paddington (1987)
This one is one of my favorite Marple novels and the first of the Hickson adaptations I saw, so I have a soft spot for it (which is why it just squeaks in over Nemesis). It’s pretty accurate overall, but I think it’s a great pity they left out some of the most fun parts (Lucy’s string of proposals, for example, and the twist to the Martine subplot) and changed the second murder to something more obvious and garish instead of the very clever poisoning plot from the book. (Also I thought Cedric was badly miscast.)

Nemesis (1987)
Like At Bertram’s Hotel, this one does a really good job pulling together a rambling plot and making it a little more cohesive. Giving Miss Marple a traveling companion so she has a sounding-board to share her discoveries with makes good sense, though I found the invented character of her godson—or perhaps just the actor’s performance—not very interesting. I can also understand why the writers chose to change the fate of the accused man in the cold case, to add a little more sense of urgency, but it’s rather less plausible. Very good casting, performances and scenery, though.

A Caribbean Mystery (1989)
Not bad at all as far as accuracy of adaptation goes. I did feel that there was less of Miss Marple herself in this one, somehow (though her scenes with Mr. Rafiel were all very well done). The Hillingdon-Dyson subplot didn’t come off very well: it gave away some things too early and made excuses for others, and everyone involved except for Evelyn was too unappealing to even be interesting. I suppose, in the end, the Caribbean setting just doesn’t appeal to me as much as the English countryside—Miss Marple’s being a fish out of water is a main element of the story, but seeing it on film seems to emphasize it even more, making her seem just a little lost and on the fringes of things, even though she does eventually solve the mystery.

The Body in the Library (1984)
Though this is one of the classic Marple novels, somehow the film version didn’t quite cut it for me—the pacing dragged a touch, the tone wasn’t as sprightly as the book, and a lot of the minor characters were somewhat underdeveloped

The Mirror Crack’d From Side to Side (1992)
Accurate, and with the key scenes around the murder itself quite well done; but seemed to spend more time focused on the bickering among Marina Gregg’s unlikable entourage than on the mystery plot, and just a little more harsh and crass in tone overall. (And why is Inspector Craddock suddenly Miss Marple’s nephew? He did end up calling her “Aunt Jane” in the books after they had worked together for a long time and grown to be good friends, but somebody seems to have missed the point that they aren’t actually related!)

A Pocket Full of Rye (1985)
This one was always one of my least favorites of the books, a rather gloomy story without any really likable characters, and the movie does  nothing to improve on that (on the contrary, it seems to take something of a relish in playing up the unpleasantness of the murders).

So, have you seen any of these? Would you agree with my rankings?

Filed Under: Film and TV, Lists, Mysteries, Reviews

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