Elisabeth Grace Foley

Historical Fiction Author

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The Life of Stories

January 12, 2015 by Elisabeth Grace Foley 4 Comments

My upcoming Western short story collection, Wanderlust Creek and Other Stories, now has a Goodreads page (in case you’d like to mark it to-read), with a book description (in case you want to know what it’s about), and a semi-official release goal: I’m aiming for March. There’ll be pre-orders at some point, of course; I’ll let you know when that happens.

There’ll be six stories in this collection:

  • “Single-Handed”
  • “The Rush at Mattie Arnold’s”
  • “A Search For Truth”
  • “The Mustanger’s Bride”
  • “Room Service”
  • “Wanderlust Creek”

Like Left-Hand Kelly, this book has been a long time brewing. The origins of half these stories go all the way back to before I published my very first book in the autumn of 2011. Yet it’s funny, looking back over my notes and first drafts, how different the life of the project was for each one. “Single-Handed” and “Room Service,” for instance, were both begun in 2011, and worked on periodically with gaps of months and even years in between, until I finally finished both in a feverish week-long burst of writing last July.

“The Rush at Mattie Arnold’s,” on the other hand, was an idea that came to me unexpectedly and got dashed off in just two or three days. It was some of the most fun I’ve had writing and one of the easiest stories to write. “The Mustanger’s Bride” was also great fun and was written in a spurt of a few days…except there was a gap of five months in the middle of the spurt.

I don’t have many outstanding memories of the composition process for “A Search For Truth,” but I do remember editing: it’s the story where I just kept on cutting out words. No plot changes, just heaps  and heaps of excess words that puzzled me with how in the world they got there in the first place. I have a feeling a few more will end up getting the boot in the final edit-and-proofread stage, too.

“Wanderlust Creek,” which is one of my favorites among my own stories, was a long time in development before it actually made it to the page. For several years I slowly accumulated pages of notes in one of my favorite note-taking notebooks, gradually putting scenes in order and straightening out a tangle of ideas for the climax. I think I had the subconscious feeling all along that I was waiting until I felt ready to do the idea justice—and I am glad I waited. I finally sat down to write it last summer and finished it over the course of a couple months.

But by hook or crook, by the long route or the short one, all six eventually made their way to the triumphant finish line of THE END, and by the end of this month, should have undergone their final edits and been fitted between the covers of a proof copy. And you know, I’m getting a bit excited.

image source

Filed Under: Short stories, The Writing Life, Wanderlust Creek and Other Stories, Westerns

The Letter

December 22, 2014 by Elisabeth Grace Foley 3 Comments

I wrote this bit of flash fiction back in September for a challenge, and I’m re-posting it here by popular request. The original challenge was hosted by Yvette at in so many words, with inspiration drawn from a picture—participants got to choose from three vintage illustrations Yvette posted at the beginning of the challenge, and the idea was to write a short bit of fiction to go along with the picture of their choice. Mine was the one seen here, by artist Robert George Harris, and here’s what I imagined lies behind it:

 

I closed the door behind me. The warm, quiet dimness of the room seemed to be standing still and listening, and I stood still for a minute too. I felt like I had shut out the clamor and chaos that had followed me all day, just as if I had cut off a clamor of sound by shutting a door. It had been a strange, tense day, with the consciousness of what was going on in the world lending a distracted edge to everything. Word of a naval battle was filling the news, in stark black headlines on the newsstands; in the tinny, stentorian voices of the war correspondents coming over the radio, with an undercurrent of tight excitement to every word that made you feel like you might hear the boom of the guns in the background at any moment.

I had read all about it in the newspaper at the counter of a drugstore at lunchtime, and then had gone on through my afternoon with a with a feeling of unreality in everything I did and looked at—as if this everyday life was only show, and the real thing outside had intruded on it and turned it hollow. It was a relief to be back in the quiet, comfortingly familiar embrace of my own room—I felt normal again, but still with a lingering, more acute sense of that world outside.

I went over to the desk and took out the letter that I had slid away there before supper, so I could come up and read it in peace and quiet afterwards. I slit the envelope and took out the sheets of paper, and walked over to the fireplace. There was just enough of a flicker coming from the coals that I could see the words on the paper, so I curled up into the comfortable corner of the big flowered armchair, tilted the letter toward the glow, and settled down to read. The letter was the same as always: brisk, practical, bantering; mixing incidents of service life with answers to what I had written. I read it through slowly, quietly enjoying it, a faint smile touching my face now and then.

When I finished, I put the sheets back in order, and my eye traveled up to the heading in the corner of the first one. The date on it stopped me. It was the day after the fleet had been in action, according to the newspaper. I fingered the letter slowly, my eyes drifting upward from it to look into space. It had been written after that battle, only hours after the action. And it was the same as always. I’d always known where the letters were written from, sensed the things they left out. But I’d never made the connection so strongly before to the things not said, as I did now with the black-headlined newspaper containing the account of the battle still lying on a table in the same room. The feeling of something dark and threatening loomed up at me out of the shadows beyond the firelight.

I sat very still and stared out from the depths of the armchair across the room, and in my mind I heard the guns thundering, growing louder till the echoes quivered in the dark corners around me. I saw the hot sun and the violently sparkling blue sea and the metal of the decks, shaken with impact and veiled in black smoke. Behind all the cheerful teasing and anecdotes traded back and forth in our letters, this was the reality; this was the danger that he had to live through. It was always there, though it only became real to me in brief moments of clarity, like this night.

Something broke gently in the fire. I looked at the letter, and then I folded it slowly, the paper crinkled where my sweaty fingers had left spots of dampness. I was about to get up, to put it back in the desk, but I stopped. I leaned my head against the back of the chair and stayed there, very still, the folded letter clasped beneath my hand.

 

artist // image

Filed Under: Flash fiction, Short stories, WWII

Top Ten O. Henry, Revisited (with runners-up)

April 3, 2012 by Elisabeth Grace Foley 1 Comment

Last year about this time, I did a series of blog posts spotlighting my ten favorite short stories by O. Henry, one of my all-time favorite authors. I had some rather grand ideas for the series, which included winding up with a poll to see which story was the reader favorite, but it so happened that I couldn’t get Blogger’s poll feature to work. So that fell a little flat. But it was an enjoyable challenge selecting my favorites and trying to write a little about why I liked them. I thought it would be fun to re-post the list this year, and as a bonus, add a few more favorites that come next in line.

As I explained last year, I left off Henry’s two best-loved stories, “The Gift of the Magi” and “The Ransom of Red Chief,” even though they’re both undoubtedly terrific, in favor of spotlighting some lesser-known gems. This was my list:

  1. Friends in San Rosario
  2. The Man Higher Up
  3. Calloway’s Code
  4. The Green Door
  5. A Chaparral Prince
  6. The Pimienta Pancakes
  7. Springtime á la Carte
  8. Art and the Bronco
  9. The Halberdier of the Little Rheinschloss
  10. The Love-Philtre of Ikey Schoenstein

And here are some of the runners-up—some that just missed getting into the top ten, or that I’ve come to appreciate more since making the list:

  • The Last Leaf
  • The Roads We Take
  • Christmas by Injunction
  • Jeff Peters as a Personal Magnet
  • The Lonesome Road
  • The Romance of a Busy Broker

Have you read any or all of these stories? Which is your favorite?

Filed Under: Lists, Short stories

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