Elisabeth Grace Foley

Historical Fiction Author

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My Best Books of the Decade

January 17, 2020 by Elisabeth Grace Foley 1 Comment

When I saw this idea at The Captive Reader last month, I immediately knew I had to do it too: a recap of my favorite books read each year in the past decade. There are actually only nine titles here, because I find I didn’t start keeping records of what I read until 2011—but since everyone else is treating this year as the time to do best-of-the-decade roundups, I’m going ahead and doing it now.

It was an intriguing exercise, reading back over my top-ten lists for each year—seeing how my tastes have stayed the same and how they’ve changed; seeing which books are still favorites and which ones might not necessarily make my lists if I redid them now. I was almost tempted to list a runner-up for each year as well, but in several cases it would have been extremely difficult to choose just one from two or three titles, so I omitted it altogether.

I’ve reproduced here only what I wrote about each book in the original top-ten posts—the length of the paragraphs does vary wildly, since in the last couple of years I haven’t written full reviews of my top picks and so described them more thoroughly in my blog post! The linked titles go to full reviews where they exist.

2011: The Magnificent Ambersons by Booth Tarkington

What I wrote: “I was impressed by this Pulitzer Prize-winning novel of a wealthy, influential family’s gradual decline during the industrialization of America at the turn of the last century, which seems to be a somewhat overlooked classic of American literature.”

2012: The Street of Seven Stars by Mary Roberts Rinehart

What I wrote: “A Rinehart non-mystery, this beautiful novel about American students living in Vienna just before the Great War kept me up till midnight finishing it.”

2013: Nine Coaches Waiting by Mary Stewart

What I wrote: “Easily my favorite read of the year. Gorgeous writing, a stunningly evoked setting, suspense and intrigue and romance…it doesn’t get much better than this.”

2014: Thorofare by Christopher Morley

What I wrote: “A big, rich, rambling, beautiful novel, this wins my award for favorite book of the year. Told mostly from the perspective of an English boy, the nephew of a college professor who teaches in America, it traces his journey to the States and the family’s life in village, city and country on both sides of the Atlantic, exploring with pleasant humor and an incredible eye for detail the curious differences and similarities of English and American culture in the late Victorian/early Edwardian era.”

2015: Greensleeves by Eloise Jarvis McGraw

What I wrote: “If I were pressed to name my single favorite book of the year, this would have to be the one. A teenage girl trying to decide what to do with her life discovers more than she bargained for when she takes on a summer job helping to investigate the legatees of an eccentric will.”

2016: Saturday’s Child by Kathleen Thompson Norris

What I wrote: “I often have a hard time distilling into a review my thoughts on the books that make the most impression on me. That was the case with this, my favorite read of the year. It follows the fortunes of a young woman earning her living in turn-of-the-century San Francisco, her struggles to reconcile poverty and family obligations with dreams of wealth and luxury; and her attempts to find a purpose for her life when it appears that romance and marriage are not in her future.”

2017: Letters to Julia by Meredith Allady

What I wrote: “This is a sequel, and it’s definitely necessary to have read Friendship and Folly by the same author to have a knowledge of the characters; but this one found its way even deeper into my heart than the first book in the series. It’s a hefty epistolary novel set in Regency/Napoleonic-era England, told through four years’ worth of letters from a large and affectionate family and some of their friends to a married daughter living at a distance, dealing with both happy and difficult times in the lives of senders and recipients. I can understand how the style might not be for everyone, but it definitely was for me.”

2018: The Lost Art of Dress: The Women Who Once Made America Stylish by Linda Przybyszewski

What I wrote: “This is my favorite book on fashion I’ve ever read. There was a time in the earlier 20th century when American women were considered some of the best-dressed women in the world, and this book reveals why. It takes a fascinating look at a generation of designers and fashion experts who taught American women how to apply the principles of art, as found in the natural world—harmony, proportion, balance, rhythm, and emphasis—to create and choose beautiful and tasteful clothing that suited them and their lifestyles. And how to do it on a thrifty budget. What’s so neat about this book is that it’s both a fun history lesson yet also practically inspiring, as you come to realize that the principles of art can be applied to choosing tasteful and flattering clothing in any era.”

2019: The Huguenots: Their Settlements, Churches, and Industries in England and Ireland by Samuel Smiles

What I wrote: “I had a basic knowledge of who the Huguenots were and the fact of their persecution; but this book blew me away with the breadth and scope of their saga and its effect on the culture and economy of more than one nation. Smiles’ primary focus is on what the exiled Huguenots brought to England and Ireland in the way of art, trade, industry, learning, et cetera (hint: a lot), but he also grounds it in a comprehensive overview of the zero-tolerance policy pursued by the French Catholic monarchy that drove the Huguenots to flee their homeland. I came away marveling at how Americans are taught so little of what is a big part of our heritage by extension as well; and also with a much clearer understanding of how the Huguenot persecutions contributed to the conditions that led to the French Revolution.”

If you’d like to see my full top-ten lists for each year, you can find links to them all at the bottom of this year’s list.

Photo by Chris Lawton on Unsplash

Filed Under: Lists, Reading, Reviews

Top Ten Books Read in 2019

December 31, 2019 by Elisabeth Grace Foley 11 Comments

Putting together this post was slightly more challenging for me than in past years, for the reason that I did very little reviewing in 2019 aside from a quick paragraph or two on Goodreads now and then—so most of it had to come from scratch and from memory.

As is customary for me, as late as autumn I was wondering whether I could come up with enough standout titles for a good list—I did a lot of re-reading old favorites this year, and where new-to-me titles were concerned I was facing a crowd of options that I’d found enjoyable but not super-outstanding. But then, three of the very best books featured in this post ended up tumbling in during the last couple months of the year! And I had my list…as I always do in the end. I’m linking up with Top Ten Tuesday, as I also customarily do.

The staggering thing about this list is that a full half of the titles are by living authors—most definitely a first for me! Here it is, in the order read:

The Piper on the Mountain by Ellis Peters

This was one of my favorites in the Felse Investigations series. While a group of college students, including series regular Dominic Felse, are on holiday in Czechoslovakia, one of them mounts a surreptitious inquiry into her stepfather’s suspicious death there a short time before. This one has a little more of a romantic-suspense flair than traditional whodunit structure—in fact it’s rather more reminiscent of Mary Stewart than other, lesser books that have been billed as “like Mary Stewart.”


The Huguenots: Their Settlements, Churches, and Industries in England and Ireland by Samuel Smiles

I had always assumed, from France’s being a predominantly Catholic country down through the centuries, that the Protestant Reformation had comparatively little effect there. I had a basic knowledge of who the Huguenots were and the fact of their persecution; but this book blew me away with the breadth and scope of their saga and its effect on the culture and economy of more than one nation. Smiles’ primary focus is on what the exiled Huguenots brought to England and Ireland in the way of art, trade, industry, learning, et cetera (hint: a lot), but he also grounds it in a comprehensive overview of the zero-tolerance policy pursued by the French Catholic monarchy that drove the Huguenots to flee their homeland. I came away marveling at how Americans are taught so little of what is a big part of our heritage by extension as well; and also with a much clearer understanding of how the Huguenot persecutions contributed to the conditions that led to the French Revolution—a comprehensive portrait of a nation cutting off its nose to spite its face if there ever was one.


They Saddled the West by Lee M. Rice and Glenn R. Vernam

Okay, yes, this is probably one of the most niche things you’ll see on anybody’s top-ten list this year! I never expected a book on the history of saddlemaking to be so fascinating. I picked it up purely on a whim, but I was captivated by the way the history of the American frontier and the development of the Western saddle and the entire saddlemaking industry were entwined on every page. Review here.


Girl Waits With Gun by Amy Stewart

This book pleasantly surprised me because it wasn’t what I thought it might be from the cover and some descriptions of it, a heavy-handed feminist screed. It’s more the story of a determined woman doing whatever she has to do to protect her family and discovering in the process that she’s more capable than she realized; and when she does need to do things that are a little unconventional, it’s not to the tune of every other character fainting in exaggerated horror. I’m picky about the tone and slant of historical novels, and I think Girl Waits With Gun does a good job of showing characters whose ways of thinking and acting fit the time they live in, but also letting them appear as normal human beings without constantly emphasizing how different or strange their ways are.

Children of the Desolate by Suzannah Rowntree

Fantasy set in 7th-century Syria is about as far from my typical reading habits as you can get, but Suzannah’s writing is so good, and I just loved what she does with the relationships between a family of characters in this novella (a prequel to her historical-fantasy series set in the Crusader States, which I haven’t begun yet). Review here.

Newsletter Ninja by Tammi Labrecque

I feel a little funny rating a how-to book so highly before I’ve actually tried out the methods and suggestions laid out in it, but I’m still doing it just because this book’s advice is so much more specific than most other books and articles I’ve read. To give just one example, you’ll hear “write a good onboarding sequence” just about everywhere, but Newsletter Ninja actually explains in detail what ought to be in a good onboarding sequence and the order in which you should arrange it. I highlighted the daylights out of this while reading it on my Kindle and I’m looking forward to applying what it teaches to my own author newsletter very soon.


A Desperate Fortune by Susanna Kearsley

I picked this one up in the cause of looking for historical romantic-suspense comp titles, and though I ultimately decided Kearsley isn’t exactly a fit for me in this regard (since A Desperate Fortune is apparently the only one of her novels without a supernatural or time-travel element), I enjoyed the book a lot. It does have a dual timeline, and the modern one was okay, but it was the historical half that I liked best (surprise, surprise). The story of the daughter of an exiled Jacobite family drawn into espionage in 18th-century France, it does a fine job evoking the time and place, and the relationship between the two central characters is subtly developed to a lovely conclusion.


Stepsons of Light by Eugene Manlove Rhodes

This one jostles The Trusty Knaves for the position of my favorite Rhodes novel. The plot encompasses a crisp and simple tale of crime and detection which is organically grounded in its setting, a wonderfully lifelike portrait of cowboy and ranch life in New Mexico of the 1880s and ’90s. Rhodes is just so totally unique among early Western authors for his lively, literate style and sense of humor and his quixotic championship of his corner of the cattle country and its people. The one knock on him is that he couldn’t write romantic subplots or female characters very well, and it’s a fair one; but the “love interest” in Stepsons of Light is small enough not to have a great effect on the overall story. And contrary to what most readers might say, one of my favorite parts is where Rhodes brings the whole story to a halt to devote a full chapter to an energetic, insouciant tilt against the bleak “realistic” fiction becoming fashionable in the early 20th century; to which I felt like giving three cheers.


The Enchanted Sonata by Heather Dixon Wallwork

Oh, my word. This was the Nutcracker retelling I didn’t know I needed. With a delightful Russian-esque candyland of an imaginary kingdom for setting, a pair of flawed but lovable protagonists, many cleverly re-imagined elements from the original story as well as a few tiny nods to other fairytales, The Enchanted Sonata is fun and heartwarming and was the perfect Christmas read.


The Whistling Season by Ivan Doig

Finally got around to this one after having it on my to-read list for ages. In 1910 Montana, a widowed homesteader with three young boys answers a quirky newspaper advertisement for a housekeeper. Not only is the housekeeper somewhat more than they bargained for, but she arrives with an unexpected brother in tow, who makes a vivid impression on the community when he takes over as emergency substitute teacher in the one-room schoolhouse. Gorgeously written, delightful characters—it would have been near-perfection if it wasn’t for a very frustrating ending. But I still enjoyed the bulk of it enough to warrant a top-ten inclusion. Brief review, with spoilerish consideration of the ending, here.

Stepsons of Light and The Huguenots are in the public domain—the latter not easily available digitally, though; I trekked my way through a jungle of typos in a scanned edition from Internet Archive. Children of the Desolate is available free exclusively when you sign up for the author’s newsletter; Newsletter Ninja and The Enchanted Sonata were Kindle purchases; and the rest were library borrows.

Previous years’ lists: 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011

Filed Under: Lists, Reading, Reviews

The Pen is Mightier Than the Six-Gun…Most of the Time

July 24, 2019 by Elisabeth Grace Foley 12 Comments

When I set out to choose a subject for Legends of Western Cinema Week, I found that I kept wanting to write about Western books instead of movies. But it’s supposed to be about cinema, right? And then it hit me that there was a way I could do both.

More classic Westerns than you might realize were based on books—novels, novellas, magazine serials, and short stories alike. And in all but a few cases the movie versions seem to be better known than the original stories. Only a few Western writers have achieved the lasting popularity that means reprints and easy name recognition. Of course, with some authors it’s understandable. Not every pulp-magazine story was of lasting quality, even if some of them did manage to spawn a memorable movie. But on the other hand, there is quite a fair mix of the pulps and more “serious” fiction among the source stories for Western movies.

So today, let’s give the writers their day. Here’s a list of Western movies paired with the titles of the books and stories they were based upon (with intermittent opinionated commentary by myself). Some of them you may know well, but other titles and authors might surprise you!

It isn’t an exhaustive list—I’ve stuck mostly to films that are fairly easily recognizable, at least to Western fans, and covered only the “classic” era (for the purposes of this post, the cutoff date is 1965). And I’ve made a few deliberate omissions: (A) Owen Wister and the various adaptations of The Virginian, because most everybody knows all about that, and (B) Zane Grey, because I’ve yet to hear of a film adaptation that borrowed anything more from its Grey source besides a title and some character names.

I also called it quits at only a couple of Louis L’Amour titles, because reading the descriptions of some other “adaptations” (term used loosely) basically had me going like this:

Whoever managed to turn Heller With a Gun (not a half bad book) into something called Heller In Pink Tights deserves an award from relatives of the people who give out the Bulwer-Lytton Prize.

But let’s get on to the good stuff.

Stagecoach (1939) / short story “Stage to Lordsburg” (1937) by Ernest Haycox

(Probably one of the best examples of how a short story can be “opened up” into a film by fleshing it out with added material, without changing the core plot.)

Destry Rides Again (1939) / novel Destry Rides Again (1930) by Max Brand

(Only the title belongs to Brand. Trust me.)

Dark Command (1940) / novel The Dark Command (1938) by W.R. Burnett

The Ox-Bow Incident (1943) / novel The Ox-Bow Incident (1940) by Walter Van Tillburg Clark

Tall in the Saddle (1944) / magazine serial “Tall in the Saddle” (1942) by Gordon Ray Young

Canyon Passage (1946) / magazine serial Canyon Passage (1945) by Ernest Haycox

Red River (1948) / magazine serial “The Chisolm Trail” (1947) by Borden Chase

Three Godfathers (1948) / short story “The Three Godfathers” (1912) by Peter B. Kyne

Blood on the Moon (1948) / magazine serial “Blood on the Moon” (1941) by Luke Short

Whispering Smith (1948) / novel Whispering Smith (1906) by Frank H. Spearman

(Haven’t seen or read this one, but I loved Spearman’s two short story collections about railroading, The Nerve of Foley and Held For Orders.)

Four Faces West (1948) / novella “Paso Por Aqui” (1926) by Eugene Manlove Rhodes

(I wrote about this adaptation at some length a while back. It’s a nice movie, but Gene Rhodes deserved better. But hey, at least his story wasn’t murdered in cold blood like some other authors’ have been! And as a writer who was always at daggers drawn with “the movies” even in their infancy, I’ll bet he would have been tongue-in-cheek philosophical about it.)

the cavalry trilogy

Fort Apache (1948) / short stories “Massacre” (1947) and “The Big Hunt” (1947) by James Warner Bellah

She Wore a Yellow Ribbon (1949) / short stories “Command” (1946), “The Big Hunt” (1947), and “War Party” (1948) by James Warner Bellah

Rio Grande (1950) / short story “Mission With No Record” (1947) by James Warner Bellah

(A note at the bottom of this page, which lists sources and tie-ins for John Wayne films, explains the background of the “trilogy” in relation to Bellah’s cavalry stories. I haven’t been able to get my hands on a copy of Massacre yet, but I’d like to—and see how he measures up to my favorite genuine frontier-fort-alumnus Charles King.)

The Furies (1950) / novel The Furies (1948) by Niven Busch

Stars in My Crown (1950) / novel Stars in My Crown (1947) by Joe David Brown

Branded (1950) / novel Montana Rides (1928) by Max Brand

Singing Guns (1950) / novel Singing Guns (1928) by Max Brand

(*cough* This doesn’t sound like the book I read…)

Man in the Saddle (1951) / magazine serial “Man in the Saddle” (1938) by Ernest Haycox

High Noon (1952) / short story “The Tin Star” (1947) by John M. Cunningham

(No relation, incidentally, to the 1957 movie The Tin Star, which had an original script.)

Bend of the River (1952) / novel Bend of the Snake (1950) by Bill Gulick

Shane (1953) / novel Shane (1949) by Jack Schaefer

(The best novel-to-film adaptation in the genre, of the ones that I’ve personally read and watched.)

Hondo (1953) / short story “The Gift of Cochise” (1952) by Louis L’Amour

(Psst…can I tell you a secret? I think I actually liked the original short story better than L’Amour’s novelization of the movie script! Aren’t I a little rebel?)

The Man From Laramie (1955) / magazine serial “The Man From Laramie” (1954) by Thomas T. Flynn

The Searchers (1956) / novel The Searchers (1954) by Alan Le May

3:10 to Yuma (1957) / short story “Three-Ten to Yuma” (1953) by Elmore Leonard

(I’ve already written about this one in-depth too, but I’ll give you spoilers: I like the short story better. *dives behind water trough*)

The Tall T (1957) / short story “The Captives” (1955) by Elmore Leonard

Night Passage (1957) / novel Night Passage (1956) by Norman A. Fox

The Big Country (1958) / magazine serial “Ambush at Blanco Canyon” (1957) by Donald Hamilton

Apache Territory (1958) / novel Last Stand at Papago Wells (1957) by Louis L’Amour

(Based on my favorite L’Amour novel. Since they didn’t consult me, naturally the casting is all wrong. While fairly unremarkable in the larger scheme of things, it provides insight on the Hollywood attitude toward Westerns: if the book isn’t exciting enough, let’s throw in some dynamite. Literally.)

The Hanging Tree (1959) / novella “The Hanging Tree” (1957) by Dorothy M. Johnson

(Johnson is one of the best Western authors out there for my money. The novella is captivating…the movie synopsis made me ask “Why?”)

The Unforgiven (1960) / novel The Unforgiven (1957) by Alan Le May

(After liking the novel, I read the movie synopsis and it made my blood boil with its changes to the very heart of the story. I may still watch the movie one of these days and get steamed up again.)

Two Rode Together (1961) / magazine serial Comanche Captives (1959) by Will Cook

The Man Who Shot Liberty Valance (1962) / short story “The Man Who Shot Liberty Valance” (1949) by Dorothy M. Johnson

(I’ve written a lengthy piece on this one too. This is another good example of opening up a very brief and crisp short story into something bigger, and where the three central characters are concerned it’s not a bad job—it was the fudging and over-simplifying of the history element that got under my skin.)

* * *

You know what strikes me most strongly about this list? Almost all of these adaptations closely followed their source material, most of them just a couple years after the original book/story was published. Kyne, Spearman and Rhodes are the only real “old-time” authors on this list. So at best, classic Hollywood was receiving its vision of the West at second- or third-hand. You have to wonder, why didn’t the movie-makers of the 1930s-60s ever dig back into the wealth of Western stories in what’s now our public domain for source material?

For the fun of it, let’s do a little unofficial survey here. I’ve seen 20 of the movies on this list, read 14 of the source stories, and I’d heard of all but three of the authors (Flynn, Fox, and Cook) before I compiled the list. How many of the titles on the list have you read, as opposed to the number of the movies you’ve seen? How many of the authors had you heard of before? And of course, if I’ve left any notable book-based titles out by accident, let me know!

Filed Under: Blog Events, Film and TV, Lists, Westerns

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