Elisabeth Grace Foley

Historical Fiction Author

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Harper Lee on Writing

January 12, 2016 by Elisabeth Grace Foley 2 Comments

Recently I came across a link to a 1964 interview with Harper Lee, one of the last she gave before withdrawing from public life. It’s an interesting read, and a few passages particularly struck me. For instance, Lee’s response when asked what she most deplored about modern American writing (and this was over fifty years ago!):

I think the thing that I most deplore about American writing, and especially in the American theatre, is a lack of craftsmanship. It comes right down to this—the lack of absolute love for language, the lack of sitting down and working a good idea into a gem of an idea. It takes time and patience and effort to turn out a work of art, and few people seem willing to go all the way.

I see a great deal of sloppiness and I deplore it. I suppose the reason I’m so down on it is because I see tendencies in myself to be sloppy, to be satisfied with something that’s not quite good enough. I think writers today are too easily pleased with their work. This is sad…There’s no substitute for the love of language, for the beauty of an English sentence. There’s no substitute for struggling, if a struggle is needed, to make an English sentence as beautiful as it should be.

This bit about developing imagination in childhood, one of the things Lee captured so well in To Kill A Mockingbird, in many ways reminds me of my own childhood—make-believe and storytelling was always front and center, whatever toys I may have had to play with.

This was my childhood: If I went to a film once a month it was pretty good for me, and for all children like me. We had to use our own devices in our play, for our entertainment. We didn’t have much money. Nobody had any money. We didn’t have toys, nothing was done for us, so the result was that we lived in our imagination most of the time. We devised things; we were readers, and we would transfer everything we had seen on the printed page to the backyard in the form of high drama.

Did you never play Tarzan when you were a child? Did you never tramp through the jungle or refight the battle of Gettysburg in some form or fashion? We did. Did you never live in a tree house and find the whole world in the branches of a chinaberry tree? We did.

In retrospect it’s odd, and perhaps a little sad, to read this interview of an author apparently in the midst of her career and talking freely about future ambitions and novels, while knowing she never wrote another. It makes one wonder what might have been.

I want to do the best I can with the talent God gave me. I hope to goodness that every novel I do gets better and better… In other words all I want to be is the Jane Austen of south Alabama.

You can find the full interview here.

Filed Under: The Writing Life

Ten Favorite Movies Watched in 2015

January 4, 2016 by Elisabeth Grace Foley 7 Comments

Time again to tally up my ten favorite movies seen for the first time this year. I notice this year’s list has a little bit of a different feel than those of recent years—a good half of the films featured are comedies or lighter-hearted fare, and it also features more color films than usual…a whopping three.


The Swan (1956)
In a fictitious European country, a young princess has been groomed to restore her family to the throne by marrying her older cousin the Crown Prince. But when the Prince comes to visit, his unpredictable behavior and the princess’ conflicted feelings for her brothers’ handsome young tutor threaten to cause upheaval for all involved. Funny, sad, romantic, and absolutely gorgeous to look at.


That Darn Cat! (1966)

When a prowling housecat brings home a clue to a recent kidnapping, an FBI agent (who of course is allergic to cats) is assigned to tail the cat in hopes of being led back to the criminals—setting up operations in the home of the cat’s owner and putting on quite the spectacle for nosy neighbors. A mix of slapstick-comedy pratfalls and witty dialogue that had me grinning for a week afterward.



Goodbye, My Lady (1956)
I don’t know why this lovely film isn’t better known among dog lovers. A young boy living with his uncle in the Mississippi swamps finds a stray dog of some unusual breed, and forms a close bond with her while training her as a bird-dog. But there is still the question of where the dog came from…


The Affairs of Martha (1942)
A posh Long Island community is thrown into a flurry at a rumor that one of their maids is writing a tell-all book about her employers. It’s true…and as housemaid Martha juggles her secret and another secret concerning her employers’ son, comedy ensues.


Angels in the Outfield (1951)
A loud-mouthed bully of a baseball manager begins hearing the voice of an angel promising him divine assistance if he mends his ways. But when a little orphan girl claims to see angels on the field, it launches a media circus. Watched with tongue firmly planted in cheek, it’s great fun (the Shakespearean-insult scene is priceless). And can I please have Janet Leigh’s entire wardrobe?


The Cockeyed Miracle (1946)
This year’s obscure entry: a quirky, absurd little comedy in which a man lingers as a ghost to try and straighten out the financial tangle he left his family in, assisted by the ghost of his father. There’s a few slips into unimaginative silliness, to be sure, but it’s kept afloat by a deft mix of comedy and poignancy in the right places and a cast who just seem to be having fun.


My Darling Clementine (1946)
After watching this fictionalized retelling of the story surrounding the O.K. Corral gunfight, I think I now understand the term “elegiac” applied to John Ford’s Westerns. Read my post about this movie here.


Chase a Crooked Shadow (1958)
A wealthy heiress is trapped in a nightmarish situation when a man claiming to be her dead brother turns up—and strangely, no one will believe her when she says he isn’t her brother. A plot that seems a little strange at first, but then takes a terrific twist at the end that changes the perspective on everything that happened before. It reminded me a little of the atmosphere of a Mary Stewart novel, with its Mediterranean setting, fast cars and glamorous ’50s fashions.


A Date With Judy (1948)
This is the equivalent of cinematic cotton candy—cute and humorous with some sweet songs. A couple of high-school girls who think they know much more than they really do cause a series of humorous mix-ups in their families’ affairs, all the in the loveliest of vintage fashions and Glorious Technicolor.


Intruder in the Dust (1949)
It was almost a coin-flip between this one and George Washington Slept Here for the final spot on this list—I sure laughed hard enough at the latter, but overall, Intruder in the Dust is probably the superior film. Filmed on location in the Deep South of its setting, it has a realistic look and feel and a plot that rather interestingly foreshadows To Kill A Mockingbird, with a young boy and an old woman forming an unlikely team to help a black man accused of murder prove his innocence.

Runners-up: George Washington Slept Here (1942), Mister 880 (1950), Night Must Fall (1937), The Little Foxes (1941), Operation Pacific (1951), The Whole Town’s Talking (1935), Watch on the Rhine (1943), San Quentin (1937), Torpedo Run (1958). Worst film of the year? Beyond a Reasonable Doubt (1956), which took an interesting premise and a good cast and sunk both like lead weights.

If you’re interested, you can see the full list of films I watched this year on my Letterboxd account. That includes some but not all re-watches; I only log a re-watch if I want to tag it with a genre.

Previous years’ lists: 2014, 2013, 2011.

Filed Under: Film and TV, Lists

My Year in Books

December 30, 2015 by Elisabeth Grace Foley 3 Comments

Comparing my record book with my Goodreads shelves, I find I read 92 books this year. As always, that number includes novellas, Kindle Singles, individual long poems, et cetera. Twelve titles, however, were cover-to-cover re-reads of books I had previously read. Highlights there included re-acquainting myself with Jane Eyre after many years, and re-reading my two favorite Booth Tarkington novels, The Magnificent Ambersons and The Turmoil. A couple of childhood favorites were also on that list: Little Women (for a read-along at The Edge of the Precipice) and Frances Hodgson Burnett’s A Little Princess.

You can see my full list here, but here’s the main highlights:

Rather to my surprise, there’s only one “classic” novel on my list for this year, Anthony Trollope’s The Warden, which I thoroughly enjoyed. I’m delighted at the prospect of many more Trollope novels to work my way through. My other forays into the classics came in the categories of plays and poetry. I continued my journey through Shakespeare with Macbeth and Hamlet. Other plays read included the absolutely charming Quality Street by J.M. Barrie, and Watch on the Rhine by Lillian Hellman, which I felt was rather better than the movie version, being more restrained and less whack-you-over-the-head-with-its-message. In poetry, I enjoyed G.K. Chesterton’s The Ballad of the White Horse and fell in love with Tennyson’s “The Lady of Shalott,” but must admit I bogged down midway through his Idylls of the King. I don’t know quite why; I didn’t dislike it, but it doesn’t seem to have the same rhythm and flow of his other poems I’ve read. I was also enchanted by a volume of letters between Robert Browning and Elizabeth Barrett Browning, which left me with a resolve to explore both of their work. So far I’ve just read Elizabeth’s beautiful Sonnet 43.

2015 became The Year I Finally Got My Hands on Angela Thirkell’s Books. I’d wanted to read Thirkell for years, having once randomly picked up a later book in her Barsetshire series and loved it, but my library system had a slim selection and none of the early titles in the series. But they’re now being released on Kindle—hooray! Besides High Rising, which made my top-ten list, I read Wild Strawberries, Summer Half and August Folly, with Summer Half being my favorite of those.

I find I didn’t read many short stories this year. Flappers and Philosophers by F. Scott Fitzgerald was local-color “research” for writing a Jazz Age story, and was as mixed a bag as I usually find Fitzgerald. I did read a couple of Western collections: The Western Writings of Stephen Crane, which held a couple of impressive pieces and a number of merely interesting ones, and New Hope by Ernest Haycox, a collection that showcases two distinct styles: light pulp fiction and “serious” short fiction—the latter quite good. Didn’t read too many other Westerns, but Partners of Chance by H.H. Knibbs, The Man Called Noon by Louis L’Amour and Stand to Horse by Andre Norton were decently good.

History-wise, I read two books on World War II in the Philippines, We Band of Angels by Elizabeth M. Norman and Rescue at Los Banos by Bruce Henderson; and circling back to the book and film that first piqued my interest in the subject, Behind the Scenes of They Were Expendable by Lou Sabini and Nicholas Scutti. (I leave the nonfiction subtitles to fend for themselves this year.) In theology, I was introduced to the works of G. Campbell Morgan, which are brilliant and which I highly recommend; so far I’ve read his books on the gospels of Luke and Mark. Other nonfiction was mainly bookish miscellany: Show Your Work! by Austin Kleon, Talking About Detective Fiction by P.D. James, and a couple of literary-themed Kindle Singles, I Murdered My Library by Linda Grant and Disappearing Ink by Travis McDade. Also How the West Was Written, Vol. 3: Frontier Fiction Glossary by Ron Scheer, which is terrific both as a reference book and a glimpse into history.

I read quite a decent amount of mysteries, highlights being The Man in the Queue by Josephine Tey, Death of an Airman by Christopher St. John Sprigg, and Five Passengers to Lisbon by Mignon G. Eberhart. Somebody at the Door by Raymond Postgate was a technically impressive and interesting mystery rather spoiled by distasteful elements in the story; The Nameless Thing by Melville Davisson Post was as unusual and philosophical as Post’s books usually are, and Lord Peter Views the Body by Dorothy Sayers was an amusing though uneven collection of short stories. Mainly to be enjoyed by those who are already die-hard fans of the Lord Peter series.

I disappointingly hit on just-middling entries from two favorite authors this year, My Brother Michael by Mary Stewart and Railroad West by Cornelia Meigs. But I did find some good ones from both new and familiar authors! To wind up, a selection of novels and novellas in varying genres that I particularly enjoyed: Howards End by E.M. Forster, The Aviator by Ernest K. Gann, King Solomon’s Mines by H. Rider Haggard, The Prisoner of Zenda by Anthony Hope, Pied Piper by Nevil Shute, The Prince of Fishes by Suzannah Rowntree, The Little White Horse by Elizabeth Goudge, and Come Out of the Kitchen! by Alice Duer Miller.

Previous years’ reading roundups: 2014, 2013, 2012.

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Filed Under: Reading

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